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What Album Animals House Of The Rising Sun

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American folk and rock vocal

"The House of the Rising Sun" is a traditional folk vocal, sometimes called "Rising Dominicus Blues". It tells of a person's life gone incorrect in the metropolis of New Orleans. Many versions also urge a sibling or parents and children to avoid the aforementioned fate. The most successful commercial version, recorded in 1964 by the British rock band The Animals, was a number one hit on the UK Singles Nautical chart and in the US and Canada.[i] As a traditional folk song recorded by an electric rock ring, it has been described as the "first folk rock hit".[2] [three]

The song was beginning nerveless in Appalachia in the 1930s, but probably has its roots in traditional English folk song. Information technology is listed every bit number 6393 in the Roud Folk Song Index.

Origin and early versions [edit]

Origin [edit]

Like many folk songs, "The House of the Rise Sun" is of uncertain authorship. Musicologists say that it is based on the tradition of broadside ballads, and thematically it has some resemblance to the 16th-century ballad "The Unfortunate Rake", yet there is no testify suggesting that there is any direct relation.[4] The folk song collector Alan Lomax suggested that the melody might be related to a 17th-century folk song, "Lord Barnard and Piddling Musgrave", besides known as "Matty Groves",[5] [half-dozen] but a survey past Bertrand Bronson showed no clear relationship between the ii songs.[7]

Harry Cox [edit]

Lomax as well noted that "Ascension Sun" was the proper name of a bawdy house in two traditional English songs, and a name for English pubs,[8] and proposed that the location of the house was and then relocated from England to the United states by White Southern performers.[8] In 1953, Lomax met Harry Cox, an English language farm labourer known for his impressive folk vocal repertoire, who knew a song called "She was a Rum One" (Roud 17938) with two possible opening verses, one beginning

"If you go to Lowestoft, and ask for The Ascent Sun, At that place you'll find two quondam whores and my old woman is one."[9]

The recording Lomax made of Harry Cox is available online[ten] (Cox provides the alternate opening verse with the "Ascension Dominicus" line at 1:forty in the recording). It is considered extremely unlikely that Cox was aware of the American song.[11] It is also lent credence by the fact that in that location was a pub in Lowestoft called The Rising Dominicus and by the fact that the town is the most easterly settlement in the UK (hence "rising sun").[12] Even so, dubiousness has been expressed equally to whether Cox'southward song has any connexion to after versions.[12] [13]

France [edit]

Meanwhile, folklorist Vance Randolph proposed an alternative French origin, the "rise sun" referring to the decorative utilize of the sunburst insignia dating to the fourth dimension of Louis Fourteen, which was brought to North America by French immigrants.[7]

Earliest American versions [edit]

"Firm of Rising Sun" was said to take been known by American miners in 1905.[5] The oldest published version of the lyrics is that printed by Robert Winslow Gordon in 1925, in a cavalcade titled "Old Songs That Men Take Sung" in Adventure magazine.[14] The lyrics of that version begin:[14] [fifteen]

At that place is a house in New Orleans, it's called the Rising Sun
It's been the ruin of many poor girl
Great God, and I for one.

The oldest known recording of the song, nether the championship "Rising Sun Blues", is by Appalachian artists Clarence "Tom" Ashley and Gwen Foster, who recorded information technology on September 6, 1933, on the Vocalion label (02576).[v] [sixteen] Ashley said he had learned it from his grandfather, Enoch Ashley,[17] who got married around the time of the Civil War,[eighteen] which suggests that the song could have been written years before the turn of the century. Roy Acuff, an "early-day friend and apprentice" of Clarence Ashley'southward, learned it from him and recorded it every bit "Ascent Lord's day" on November 3, 1938.[5] [xvi]

In that location is a mutual perception that, prior to the Animals, the vocal was about and from the perspective of a woman. This is incorrect, every bit the narrative of the lyrics has alternated between male person and female narrators. The earliest known printed version from Gordon'south column is about a adult female's warning. The earliest known recording of the vocal by Ashley is almost a rounder, a male character. The lyrics of that version brainstorm:[19]

There is a business firm in New Orleans
They call the Ascension Sun
Where many poor boys to devastation has gone
And me, oh God, are one.

On an expedition with his wife to eastern Kentucky, the folklorist Alan Lomax set up his recording equipment in Middlesboro, in the house of the singer and activist Tillman Cadle (husband of Mary Elizabeth Barnicle). There he recorded a performance by Georgia Turner, the sixteen-year-one-time girl of a local miner. He called it "The Ascent Lord's day Blues".[16] Lomax recorded two other dissimilar versions in Eastern Kentucky in 1937, both of which can be heard online: i sung by Dawson Henson[20] and another by Bert Martin.[21] In his 1941 songbook Our Singing Country, Lomax credits the song to Georgia Turner, using Martin's extra lyrics to "complete" the vocal.[16] [22] The Kentucky folk singer Jean Ritchie sang a different traditional version of the song to Lomax in 1949, which tin can be heard online courtesy of the Alan Lomax archive.[23] Dillard Chandler of Madison Canton, North Carolina sang a variant of the song beginning "There was a sport in New Orleans".[24]

Several older dejection recordings of songs with like titles are unrelated, for example, "Ascension Sun Blues" by Ivy Smith (1927), but Bluesologist for Texas music Coy Prather has argued that "The Risin' Sunday" by Texas Alexander (1928) is an early blues version of the hillbilly song.[25]

Early commercial folk and dejection releases [edit]

In 1941, Woody Guthrie recorded a version. Keynote Records released one by Josh White in 1942,[26] and Decca Records released i also in 1942 with music by White and the vocals performed by Libby Holman.[27] Holman and White as well collaborated on a 1950 release by Mercury Records. White is also credited with having written new words and music that have subsequently been popularized in the versions fabricated by many other later on artists. White learned the vocal from a "white hillbilly vocalizer", who might have been Ashley, in Due north Carolina in 1923–1924.[5] Lead Belly recorded two versions of the song, in February 1944 and in October 1948, called "In New Orleans" and "The House of the Rise Dominicus", respectively; the latter was recorded in sessions that were later on used on the album Lead Abdomen'due south Last Sessions (1994, Smithsonian Folkways).

In 1957, Glenn Yarbrough recorded the song for Elektra Records. The song is also credited to Ronnie Gilbert on an album by the Weavers released in the late 1940s or early 1950s. Pete Seeger released a version on Folkways Records in 1958, which was re-released by Smithsonian Folkways in 2009.[16] Andy Griffith recorded the vocal on his 1959 album Andy Griffith Shouts the Blues and Old Timey Songs. In 1960, Miriam Makeba recorded the song on her eponymous RCA album.

Joan Baez recorded it in 1960 on her self-titled debut album; she ofttimes performed the vocal in concert throughout her career. Nina Simone recorded her kickoff version for the live album Nina at the Hamlet Gate in 1962. Simone later covered the song once more on her 1967 studio anthology Nina Simone Sings the Blues. Tim Hardin sang it on This is Tim Hardin, recorded in 1964 but non released until 1967.[28] The Chambers Brothers recorded a version on Feelin' the Dejection, released on Vault Records (1970).

Van Ronk organization [edit]

In late 1961, Bob Dylan recorded the song for his debut album, released in March 1962. That release had no songwriting credit, but the liner notes indicate that Dylan learned this version of the song from Dave Van Ronk. In an interview for the documentary No Direction Dwelling house, Van Ronk said that he was intending to record the song and that Dylan copied his version. Van Ronk recorded it shortly thereafter for the anthology Just Dave Van Ronk.

I had learned it sometime in the 1950s, from a recording by Hally Wood, the Texas singer and collector, who had got information technology from an Alan Lomax field recording by a Kentucky woman named Georgia Turner. I put a different spin on it by altering the chords and using a bass line that descended in half steps—a mutual enough progression in jazz, merely unusual amidst folksingers. By the early 1960s, the song had become ane of my signature pieces, and I could hardly get off the stage without doing it.

Then, 1 evening in 1962, I was sitting at my usual table in the dorsum of the Kettle of Fish, and Dylan came slouching in. He had been upward at the Columbia studios with John Hammond, doing his kickoff album. He was being very mysterioso virtually the whole thing, and nobody I knew had been to any of the sessions except Suze, his lady. I pumped him for information, but he was vague. Everything was going fine and, "Hey, would it be okay for me to record your system of 'House of the Rising Sun?'" Oh, shit. "Jeez, Bobby, I'm going into the studio to practice that myself in a few weeks. Can't it wait until your next album?" A long pause. "Uh-oh". I did non similar the sound of that. "What exactly do you mean, 'Uh-oh'?" "Well", he said sheepishly, "I've already recorded it".[29]

The Animals' version [edit]

"The Business firm of the Rising Sun"
Rising sun animals US.jpg

US motion picture sleeve
Single by the Animals
from the anthology The Animals
B-side "Talkin' 'bout You"
Released
  • June nineteen, 1964 (1964-06-19) (United kingdom of great britain and northern ireland)
  • August eight, 1964 (Us)
Recorded May 18, 1964
Genre
  • Folk stone[thirty]
  • dejection stone[31]
Length
  • four:29 (album version)
  • 2:59 (radio edit)
Label
  • Columbia (Britain)
  • MGM (United states of america)
Songwriter(due south) Traditional, arr. by Alan Toll
Producer(s) Mickie Near
The Animals singles chronology
"Babe Allow Me Take You Home"
(1964) 		"The House of the Rising Dominicus"
(1964) 		"I'm Crying"
(1964)

An interview with Eric Burdon revealed that he outset heard the song in a club in Newcastle, England, where it was sung past the Northumbrian folk singer Johnny Handle. The Animals were on tour with Chuck Berry and chose it because they wanted something distinctive to sing.[32] [33]

The Animals had begun featuring their organisation of "The House of the Rising Sunday" during a joint concert tour with Chuck Drupe, using it equally their closing number to differentiate themselves from acts that ever closed with straight rockers.[33] [34] It got a tremendous reaction from the audience, disarming initially reluctant producer Mickie Most that it had hit potential,[34] and between tour stops the group went to a small recording studio on Kingsway in London[34] to capture it.

Recording and releases [edit]

The song was recorded in simply 1 have on May eighteen, 1964,[35] [36] and it starts with a now-famous electrical guitar A pocket-sized chord arpeggio by Hilton Valentine.[1] [iii] Co-ordinate to Valentine, he only took Dylan'south chord sequence and played it every bit an arpeggio.[37] The performance takes off with Burdon's atomic number 82 vocal, which has been variously described as "howling",[two] "soulful",[38] and as "...deep and gravelly as the north-east English coal town of Newcastle that spawned him".[1] Finally, Alan Cost'southward pulsating organ role (played on a Vox Continental) completes the sound. Burdon afterwards said, "We were looking for a vocal that would grab people'due south attention".[39]

As recorded, "The Business firm of the Rising Sun" ran four and a half minutes, regarded equally far as well long for a pop single at the time.[35] Producer Most, who initially did not really desire to record the song at all,[37] said that on this occasion: "Everything was in the right identify ... Information technology only took xv minutes to make so I can't take much credit for the product".[40] He was still now a laic and declared it a unmarried at its full length, maxim "We're in a microgroove world at present, nosotros volition release it".[40]

In the US, however, the original unmarried (MGM 13264) was a ii:58 version. The MGM Aureate Circle reissue (KGC 179) featured the unedited iv:29 version, although the record label gives the edited playing time of ii:58. The edited version was included on the group'southward 1964 US debut album The Animals, while the full version was later included on their best-selling 1966 US greatest hits album, The Best of the Animals. However, the very first American release of the total-length version was on a 1965 album of various groups entitled Mickie Most Presents British Get-Become (MGM SE-4306), the cover of which, under the list of "Firm of the Rising Sun", described it equally the "Original uncut version". Americans could besides hear the consummate version in the motion-picture show Go Go Mania in the spring of 1965.

Cash Box described the The states single version as "a haunting, vanquish-carol updating of the famed folk-blues opus that the group's lead delivers in telling solo song fashion."[41]

"Firm of the Ascent Lord's day" was non included on whatever of the grouping's British albums, merely information technology was reissued equally a unmarried twice in subsequent decades, charting both times, reaching number 25 in 1972 and number 11 in 1982.

The Animals version was played in 6/8 meter, unlike the 4/iv of most earlier versions. Arranging credit went only to Alan Price. According to Burdon, this was simply because there was insufficient room to name all v ring members on the record label, and Alan Price's first proper noun was beginning alphabetically. However, this meant that just Price received songwriter'southward royalties for the hitting, a fact that has caused bitterness among the other ring members ever since.[three] [42]

Personnel [edit]

  • Eric Burdon – vocals
  • Hilton Valentine – electric guitar
  • Chas Chandler – bass guitar
  • Alan Cost – Vox Continental organ
  • John Steel – drums and percussion

Reception [edit]

"House of the Ascension Sun" was a trans-Atlantic hit: later on reaching the top of the Uk popular singles chart in July 1964, it topped the US pop singles chart two months after, on September 5, 1964, where information technology stayed for iii weeks. Many cite this as the first true archetype rock song,[43] and became the first British Invasion number one unconnected with the Beatles.[44] Information technology was the grouping'southward breakthrough hit in both countries and became their signature song.[45] The song was also a striking in Ireland twice, peaking at No. x upon its initial release in 1964 and later reaching a brand new peak of No. 5 when reissued in 1982.

According to John Steel, Bob Dylan told him that when he first heard the Animals' version on his car radio, he stopped to heed, "jumped out of his car" and "banged on the bonnet" (the hood of the auto), inspiring him to become electric.[46] Dave Van Ronk said that the Animals' version—like Dylan's version earlier it—was based on his arrangement of the song.[47]

Dave Marsh described the Animals' take on "The House of the Rising Lord's day" every bit "the showtime folk-rock hit", sounding "as if they'd connected the ancient tune to a live wire".[2] Writer Ralph McLean of the BBC agreed that it was "arguably the kickoff folk rock tune" and "a revolutionary unmarried," after which "the confront of modernistic music was changed forever."[3]

The Animals' rendition of the song is recognized as one of the classics of British popular music. Writer Lester Bangs labeled it "a brilliant rearrangement" and "a new standard rendition of an former standard composition".[48] It ranked number 122 on Rolling Stone mag's list of "500 Greatest Songs of All Time". It is also one of the Rock and Roll Hall of Fame's "500 Songs That Shaped Rock and Roll". The RIAA ranked it number 240 on their list of "Songs of the Century". In 1999 it received a Grammy Hall of Fame Award. It has long since become a staple of oldies and classic rock radio formats. A 2005 Channel v poll ranked information technology as Britain'south quaternary-favorite number one song.[35]

Charts [edit]

Certifications [edit]

Frijid Pink version [edit]

"House of the Rise Sun"
The House of the Rising Sun Frijid.png

Artwork for Danish, French and High german releases (French pressing pictured)

Single by Frijid Pink
from the anthology Frijid Pink
B-side "Drivin' Blues"
Released December 1969 (1969-12) [75]
Genre
  • Psychedelic rock
  • acid stone
  • blues rock
Length
  • 4:44 (album)
  • three:23 (single)
Characterization Parrot
Songwriter(s)
  • Traditional
  • arr. by Alan Price
Producer(s) Michael Valvano
Frijid Pink singles chronology
"House of the Rising Sun"
(1969) 		"Sing a Song for Freedom"
(1970)

In 1969, the Detroit band Frijid Pink recorded a psychedelic version of "Firm of the Ascension Lord's day", which became an international striking in 1970. Their version is in 4/4 time (similar Van Ronk's and most before versions, rather than the half dozen/8 used past the Animals) and was driven past Gary Ray Thompson'south distorted guitar with fuzz and wah-wah effects, set up against the frenetic drumming of Richard Stevers.[76]

According to Stevers, the Frijid Pink recording of "Business firm of the Rising Lord's day" was done impromptu when in that location was time left over at a recording session booked for the group at the Tera Shirma Recording Studios. Stevers later on played snippets from that session's tracks for Paul Cannon, the music managing director of Detroit'south premier rock radio station, WKNR; the 2 knew each other, every bit Cannon was the father of Stevers'south girlfriend. Stevers recalled, "we went through the whole thing and [Cannon] didn't say much. Then 'Business firm [of the Rising Dominicus]' started up and I immediately turned it off because it wasn't anything I really wanted him to hear". Yet, Cannon was intrigued and had Stevers play the complete runway for him, then advising Stevers, "Tell Parrot [Frijid Pinkish's label] to drop "God Gave Me You" [the grouping's current single] and go with this one".[77]

Frijid Pink's "House of the Rising Sun" debuted at number 29 on the WKNR striking parade dated January six, 1970, and broke nationally after some vii weeks—during which the runway was re-serviced to radio three times—with a number 73 debut on the Hot 100 in Billboard dated February 27, 1970 (number 97 Canada 1970/01/31) with a subsequent three-week ascent to the top 30 en route to a Hot 100 peak of number vii on April four, 1970. The certification of the Frijid Pinkish single "House of the Ascent Dominicus" equally a gold record for domestic sales of ane million units was reported in the issue of Billboard dated May xxx, 1970.

The Frijid Pink single of "House of the Rising Dominicus" would give the song its most widespread international success, with elevation 10 status reached in Austria (number three), Belgium (Flemish region, number half dozen), Canada (number three), Denmark (number three), Deutschland (two weeks at number one), Greece, Republic of ireland (number 7), Israel (number 4), the Netherlands (number three), Norway (seven weeks at number one), Poland (number two), Sweden (number six), Switzerland (number ii), and the Great britain (number four). The unmarried also charted in Australia (number 14), France (number 36), and Italy (number 54).

Charts [edit]

Sales and certifications [edit]

Dolly Parton version [edit]

"The House of the Rising Sunday"
The House of the Rising Sun - Dolly Parton.jpg

Artwork for German release
Single past Dolly Parton
from the album 9 to v and Odd Jobs
A-side "Working Girl"
Released August iii, 1981 (1981-08-03)
Recorded November 1980
Genre Country pop
Length 4:02
Label RCA
Songwriter(south) Traditional
Producer(due south) Mike Post
Dolly Parton singles chronology
"But Yous Know I Beloved You"
(1981) 		"The Business firm of the Rise Sun"
(1981) 		"Unmarried Women"
(1982)

In August 1980, Dolly Parton released a cover of the song as the 3rd single from her album 9 to 5 and Odd Jobs. Like Miller'due south before country hit, Parton's remake returns the vocal to its original lyric of being about a fallen adult female. The Parton version makes it quite edgeless, with a few new lyric lines that were written by Parton. Parton's remake reached number 14 on the U.s. land singles chart and crossed over to the pop charts, where information technology reached number 77 on the Billboard Hot 100; information technology also reached number 30 on the United states of america Adult Gimmicky chart. Parton has occasionally performed the song live, including on her 1987–88 television prove, in an episode taped in New Orleans.

Other notable versions [edit]

  • In 1973, Jody Miller's version reached number 29 on the country charts[82] and number 41 on the Developed Gimmicky chart.[83]
  • In 1977 Santa Esmeralda scored a height 20 disco hitting with a dance version of the song and number 78 on the Hot 100's Billboard.[ commendation needed ]

Language versions [edit]

Johnny Hallyday version (in French) [edit]

"Le Pénitencier"
Unmarried by Johnny Hallyday
from the album Le Pénitencier
Released Oct 1964 (1964-10) (France)
Recorded September 1964
Label Philips
Songwriter(s)
  • Hugues Aufray
  • Vline Buggy
  • Alan Price
Producer(s) Lee Hallyday
Johnny Hallyday singles chronology
"Les Mauvais garçons"
(1964) 		"Le Pénitencier"
(1964) 		"Un ami ça n'a pas de prix"
(1965)
Music video
"Le Pénitencier" (Alive on French TV, 1966)
"Le Pénitencier" (Live at the Théâtre de Paris, 2013)
on YouTube

The song was covered in French by Johnny Hallyday. His version (titled "Le Pénitencier", pronounced [lə penitɑ̃sje]) was released in Oct 1964 and spent one week at number 1 on the singles sales chart in France (from October 17 to 23).[84] In Wallonia, Belgium, his unmarried spent 28 weeks on the chart, also peaking at number one.[85]

He performed the vocal during his 2014 Usa tour.

Los Speakers version (in Castilian) [edit]

Colombian band Los Speakers covered the song under the title "La Casa del Sol Naciente", in their 1965 album of the aforementioned proper name.

Charts

EAV version and 'Wilbert Eckart und seine Volksmusik Stars' versions (in German) [edit]

Two notable German covers/adaptions were created, i past Erste Allgemeine Verunsicherung, which in 1989 recorded a vocal with lyrics telling the story of an Eastward Federal republic of germany citizen fleeing East Berlin after the Fall of the Berlin Wall and his following disillusion with Western social club.[87] Another that gained international recognition was created for the soundtrack of Wolfenstein: The New Lodge in 2014, interpreting the song with Volksmusik instrumentation, plumbing fixtures the alternate future theme of the game in which Nazi Germany won World State of war Two, every bit function of a collection of 'adapted' pop hits.[88] [89]

Possible real locations [edit]

Various places in New Orleans have been proposed as the inspiration for the song, with varying plausibility. The phrase "Business firm of the Rising Lord's day" is oftentimes understood equally a euphemism for a brothel, but it is non known whether the firm described in the lyrics was an actual or a fictitious identify. Ane theory is that the vocal is near a woman who killed her father, an alcoholic gambler who had beaten his wife. Therefore, the House of the Ascent Lord's day may exist a jailhouse, from which ane would be the first person to see the sunrise (an idea supported by the lyric mentioning "a ball and chain", though that phrase has been slang for marital relationships for at to the lowest degree every bit long as the song has been in print). Because women oftentimes sang the song, some other theory is that the House of the Rising Sun was where prostitutes were detained while existence treated for syphilis. Since cures with mercury were ineffective, going back was very unlikely.[vi] [32]

1867 advertisement noting the "Rising Sun Coffee House" building for rent or lease

Simply 3 candidates that utilise the name Ascension Sun accept historical show—from erstwhile urban center directories and newspapers. The first was a small, short-lived hotel on Conti Street in the French Quarter in the 1820s. It burned down in 1822. An excavation and document search in early 2005 found bear witness that supported this claim, including an advertisement with linguistic communication that may have euphemistically indicated prostitution. Archaeologists establish an unusually large number of pots of rouge and cosmetics at the site.[90]

The 2d possibility was a "Rising Sun Hall" listed in belatedly 19th-century city directories on what is now Cherokee Street, at the riverfront in the uptown Carrollton neighborhood, which seems to take been a edifice owned and used for meetings of a Social Assist and Pleasure Club, unremarkably rented out for dances and functions. It also is no longer extant. Definite links to gambling or prostitution (if any) are undocumented for either of these buildings.

A third was "The Rise Sun", which advertised in several local newspapers in the 1860s, located on what is at present the lake side of the 100 block of Decatur Street.[91] In various advertisements it is described as a "Restaurant", a "Lager Beer Salon", and a "Coffee House". At the fourth dimension, New Orleans businesses listed as coffee houses often also sold alcoholic beverages.

Dave Van Ronk claimed in his biography "The Mayor of MacDougal Street" that at one time when he was in New Orleans someone approached him with a number of quondam photos of the city from the turn of the century. Among them "was a motion picture of a foreboding stone doorway with a carving on the lintel of a stylized ascent lord's day... It was the Orleans Parish women's prison".[92]

Bizarre New Orleans, a guidebook on New Orleans, asserts that the existent house was at 1614 Esplanade Avenue between 1862 and 1874 and was said to have been named subsequently its madam, Marianne LeSoleil Levant, whose surname means "the rising sun" in French.[32]

Some other guidebook, Offbeat New Orleans, asserts that the existent House of the Ascent Sun was at 826–830 St. Louis St. between 1862 and 1874, also purportedly named for Marianne LeSoleil Levant. The building still stands, and Eric Burdon, after visiting at the behest of the owner, said, "The house was talking to me".[93]

At that place is a contemporary B&B called the House of the Rising Sun, decorated in brothel mode. The owners are fans of the vocal, but in that location is no connection with the original identify.[93] [94]

Not anybody believes that the business firm actually existed. Pamela D. Arceneaux, a inquiry librarian at the Williams Enquiry Eye in New Orleans, is quoted as saying:

I take fabricated a study of the history of prostitution in New Orleans and have often confronted the perennial question, "Where is the House of the Rising Sun?" without finding a satisfactory answer. Although it is generally causeless that the vocaliser is referring to a brothel, there is actually null in the lyrics that indicate that the "business firm" is a brothel. Many knowledgeable persons have conjectured that a better case can exist made for either a gambling hall or a prison; all the same, to paraphrase Freud: sometimes lyrics are just lyrics.[vi]

References [edit]

Notes

  1. ^ a b c York, Barry (July 9, 2004). "House of worship". The Historic period . Retrieved Jan 12, 2014.
  2. ^ a b c Dave Marsh, The Centre of Rock & Soul: The 1001 Greatest Singles Ever Fabricated, NAL, 1989. Entry #91.
  3. ^ a b c d McLean, Ralph. "Stories Behind the Song: 'Firm of the Rising Dominicus'". BBC. BBC. Archived from the original on September viii, 2011. Retrieved May iv, 2007.
  4. ^ Anthony, Ted (2007). Chasing the Ascension Lord's day: The Journey of an American Song. Simon & Schuster. p. 21. ISBN9781416539308 . Retrieved February 23, 2016.
  5. ^ a b c d e Matteson, Jr., Richard L. (October 7, 2010). Bluegrass Picker's Tune Book. Mel Bay Music. p. 111. ISBN9781609745523.
  6. ^ a b c "House of the Rising Dominicus - the History and the Song". BBC h2g2. July 28, 2006. Retrieved December 26, 2009.
  7. ^ a b Harvey, Todd (2001). The Determinative Dylan: Manual and Stylistic Influences 1961–1963. Scarecrow Printing. pp. 48–50. ISBN978-0810841154.
  8. ^ a b Sullivan, Steve (2013). Encyclopedia of Great Popular Song Recordings, Volume 2. Scarecrow Press. pp. 97–98. ISBN9780810882966 . Retrieved February 23, 2016.
  9. ^ Ward, Simon (April 25, 2016). "Iconic song has links to Lowestoft?". Eastern Daily Printing . Retrieved August 1, 2021.
  10. ^ "She Was A Rum 1 | Lomax Digital Annal". archive.culturalequity.org . Retrieved August sixteen, 2021.
  11. ^ "26/04/2016". The Ane Show. April 26, 2016. BBC.
  12. ^ a b Anthony, Ted (July xiii, 2007). Chasing the Rising Sunday: The Journeying of an American Song. Simon and Schuster. pp. 26–27. ISBN978-1-4165-3930-8.
  13. ^ "New Orleans Legend May Bear witness to Be Reputable". Los Angeles Times. March 20, 2005. Retrieved August 2, 2021.
  14. ^ a b Steve Sullivan, Encyclopedia of Great Popular Song Recordings, Volume i, Scarecrow Press (2013) ISBN 0810882965, 9780810882966, p. 98.
  15. ^ The same opening lyrics are in the early recorded version in 1933: Robert B. Waltz and David G. Engle, "Business firm of the Rising Sun, The", The Traditional Ballad Alphabetize, 4.0, Fresno State Academy, (2016) (accessed October 19, 2016)
  16. ^ a b c d due east "Pete Seeger - American Favorite Ballads" (PDF). Volume 2 (pages eleven–12). Smithsonian Folkways. 2009. pp. 27–28. Retrieved December 4, 2011.
  17. ^ "HOUSE OF THE Ascent SUN – Banjo Mountain". Retrieved November 29, 2021.
  18. ^ "Clarence "Tom" Ashley biography". Concluding.fm . Retrieved July xviii, 2021.
  19. ^ Dixon, Robert M. West.; Godrich, John; Rye, Howard Westward. (1997). Dejection & Gospel Records, 1890–1943. Oxford: Oxford University Press.
  20. ^ "The Rising Lord's day Blues · Alan Lomax Kentucky Recordings". lomaxky.omeka.cyberspace . Retrieved July 18, 2021.
  21. ^ "The Rising Sun Blues · Alan Lomax Kentucky Recordings". lomaxky.omeka.net . Retrieved July eighteen, 2021.
  22. ^ Bals, Fred (November 4, 2019). "Chasing the Ascent Lord's day". Medium . Retrieved July xviii, 2021.
  23. ^ "Alan Lomax Archive". research.culturalequity.org . Retrieved January 13, 2021.
  24. ^ "Sport in New Orleans | Smithsonian Folkways Recordings". folkways.si.edu . Retrieved October 28, 2021.
  25. ^ Texas Music magazine Fall, 2016.
  26. ^ White, Josh. "Business firm Of The Rising Sun". Keynote Records. Retrieved September eighteen, 2019.
  27. ^ Holman, Libby. "Firm Of The Rising Sun". Decca Records. Retrieved September 19, 2019.
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External links [edit]

  • Songfacts "Firm of the Rising Sunday" entry
  • The sail music
  • The Real Significant Backside the Song "House of the Rising Sun
  • The Ascent Sun Dejection: Turner, Georgia, Free Borrow & Streaming: Internet Annal

Source: https://en.wikipedia.org/wiki/The_House_of_the_Rising_Sun

Posted by: smithbelve1956.blogspot.com

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